Hi vlad
for details on Dubrising, check out my blog
http://tabou1records.wordpress.com/2014 ... h-version/
the concept was to get Groucho involved in a dub project just like in the 80's when he produced those marvelous dub mixes of Sly & Robbie (B;ack Uhuru, Ini Kamoze, etc...).
But to do dub versions of my cuts would have been a bit unsufficient and we wanted to have some sort of story, to unify each dub version so the end result would be an album, a score to a movie about the
1. oppression
2. rebellion
3. war between good and evil
4. victory of good over evil
5. peace and reign of good
those themes are reflected in track names and the album cover
I had one problem with that: the atmosphere of each track should have positioned each track differently. For instance, track 1 is peaceful, and should have been the last one if I had followed my logic 100%.
However, when we finished the mastering and it was time to sequence the tracks, I didnt like how the album sounded. So I changed the running order to make it a better listening experience. When you drop the needle on track 1, it has to flow nicely, transitions have to be harmonious, etc...
The tracks used were taken from the following albums
1 Satan Fall (Zion Gate) - Horace Andy Livin' it up (2006)
2 Freedom Ring (Accused) - Khalifa G.Riot 2013 (2013)
3 Drone Snipers (Rastafari Prophecy) - Horace Andy Livin' it up (2006)
4 Bully Tactics (Devil You Can't Bully Me Out) - Chezidek I Grade (2009)
5 To The Rescue (Holy Mount Zion) - Horace Andy Livin' it up (2006)
6 No Surrender (Surrender) - Chezidek I Grade (2009)
7 Flame Thrower (King Of Kings) - Horace Andy Livin' it up (2006)
8 Dub-ble Agent (Rumours) - Bunny Rugs Rumours (recorded in 2011, not yet released)
The Chezidek and the Bunny Rugs riddims were recorded during the sessions with Horace Andy at Harry J. So all except the Khalifa riddim were recorded in February 2006 at Harry J
Before mixing the dub versions, we asked Bunny McKenzie and Dan Donovan to record overdubs to unify the tracks and make them reflect the overall atmosphere of the project. I chose not to dub the heck out of the tracks because I wanted the album to be a mix between dub and instrumental album.
To me, it's a symphony like a Pink Floyd album and not like a Scientist album if you see what I mean