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An index of Christ's allusions in jamaican roots reggae
Posted: Sun Apr 26, 2009 3:46 pm
by benjamin
Hi bredrens,
Clearly Rastafari is a christian influenced movement although the white "Jesus" religion is often rejected. But some singers have directly made allusion to their faith refering to Christ himself and I'd love to gather the roots tunes that have such allusions. Here are a few ones to start the list. It would be great if you can enlarge it, I know there are much more but I don't have them all in my head. Thanks, have a blessed day
Ben
Willy Williams : various allusions to the Christ in his Messenger Man album
Gayladds : INRI
Twinkle Brothers : Barabas
Jewells : Slave trade
IjahMan : Jesus Selassie I
Yabby you and Trintiy: Jesus Dread
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Sun Apr 26, 2009 4:51 pm
by mr mountain
Prince Far I "At The Cross"
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Sun Apr 26, 2009 5:33 pm
by Han
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Mon Apr 27, 2009 8:29 am
by Red Eyes
Barry Brown: 30 Pieces of Silver
Congos: La La Bam Bam
Israel Vibration: Mighty Negus
Garnett Silk: Kingly Character
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Mon Apr 27, 2009 10:35 am
by Visitor
Ras Michael "Jesus Christus Is The King"
Max Romeo "2000 years ago"
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Mon Apr 27, 2009 2:36 pm
by benjamin
thanks for the ideas, some of the tunes I don't know like the max romeo one or the israel vibration one. I'll check it.
Other song :
Christ was a black man - Jah Lloyd
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Tue Apr 28, 2009 5:12 am
by DonBanyan
"Look 'pon Jesus, Jesus Christ, all right/ Them sell him out fe thirty pieces/ Them just a belly lick, belly lick."
Not roots, but "Belly Lick" by Michael Palmer is a pretty solid tune.
http://www.youtube.com/watch?v=LZ9ZIRq5Wag
DB
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Tue Apr 28, 2009 6:48 pm
by Dave K
>Not roots, but "Belly Lick" by Michael Palmer is a >pretty solid tune.
If the lyrical content doesn't make a "roots tune", what are the elements that do comprise it?
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Wed Apr 29, 2009 9:52 am
by DonBanyan
Dave K. wrote:If the lyrical content doesn't make a "roots tune", what are the elements that do comprise it?
Yeah, mostly conscious lyrical content, but I felt that if I didn't say that I would have gotten, "Hey that's not from '77, and the syndrums and digital effects should disqualify it as a roots tune." There are many songs from the "golden era" of reggae that are widely considered roots despite completely secular lyrics. Either way "Belly Lick" is still a great song with a direct Christ reference.
DB
Re: An index of Christ's allusions in jamaican roots reggae
Posted: Wed Apr 29, 2009 1:31 pm
by Dave K
DonBanyan wrote:Dave K. wrote :If the lyrical content doesn't make a "roots tune", what are the elements that do comprise it?
Yeah, mostly conscious lyrical content, but I felt that if I didn't say that I would have gotten, "Hey that's not from '77, and the syndrums and digital effects should disqualify it as a roots tune." There are many songs from the "golden era" of reggae that are widely considered roots despite completely secular lyrics. Either way "Belly Lick" is still a great song with a direct Christ reference.
DB
@DB
Thanks for explaining. You hear the term "roots" here often, and it seems to have different meanings, depending on the context. I'm not sure I would call the Palmer song "completely secular" with a reference to Christ in it though, as secular generally means non-religious to most people. Again, terms are used "differently" by people, hence the question.
When rasta themed lyrics started becoming prominent in Jmaican pop music, Winston "Merritone" Blake tried to put forth the notion publicly that these songs should be segmented from "regular" radio programmimg, and be called "religious", the same way gospel music was. His point was that the music was secular by nature, and that the rasta-themed music appealed to a specific religious segment.