Re: King Tubby Meets the Upsetter at the Grass Roots of Dub - Matrix question
Posted: Fri Jun 27, 2008 12:20 am
Reviewed in the Black Music Mag JULY 1975:
Winston Edwards And The Natty Locks
"King Tubby Meets The Upsetter At The Grass Roots Of Dub" - (Fay Music).
Grass roots Jamaican music that speaks for the natty locks culture. Instrumental sounds put together by producer Winston Edwards with hand picked musicans. Chi-na and Lloyd Willis (guitars), Robbie (bass), Benbow (drums), Glen Adams (keyboards), Tommy McCook (saxes and flute), Bobby Ellis ( trumpet), Don Drummound Jnr. (trombone).
The real interest though is focused on the engineering by the ubiquitous King Tubby on side one, and by boss producer Lee Perry on side two, at his Black Art studio. The honours are about equal and the music gripping, if you`re willing to take it for what it is . Each side has one absolute boss track. "Blood Of Africa" and "People From The Grass Roots" are both irresistable rockers dominated by heavy bass and bass drum, and featuring brass predominantly.
Both sides are immaculately mixed in the innovative style of the sound master King Tubby with echo cutting in and cutting out, exaggerating and distorting the sound of the drums, cymbals, and rhythm guitar at key points. Melodies matter very little here and there`s no singing but Tommy McCook in particular blows some nice phrases.
The emphasis of course is on rhythm. But these rhythms are something else. Clouds bursting, thunder, lightning. You got to play this loud, leave the treble right up, and down at leisure.
Reviewed by Carl Gayle Black Music July 1975.
This Album has been Awarded the best Dub Album in England by all the people of Jamaica.
as advertized by Fay Music Inc advert in Black Music.
peace
Winston Edwards And The Natty Locks
"King Tubby Meets The Upsetter At The Grass Roots Of Dub" - (Fay Music).
Grass roots Jamaican music that speaks for the natty locks culture. Instrumental sounds put together by producer Winston Edwards with hand picked musicans. Chi-na and Lloyd Willis (guitars), Robbie (bass), Benbow (drums), Glen Adams (keyboards), Tommy McCook (saxes and flute), Bobby Ellis ( trumpet), Don Drummound Jnr. (trombone).
The real interest though is focused on the engineering by the ubiquitous King Tubby on side one, and by boss producer Lee Perry on side two, at his Black Art studio. The honours are about equal and the music gripping, if you`re willing to take it for what it is . Each side has one absolute boss track. "Blood Of Africa" and "People From The Grass Roots" are both irresistable rockers dominated by heavy bass and bass drum, and featuring brass predominantly.
Both sides are immaculately mixed in the innovative style of the sound master King Tubby with echo cutting in and cutting out, exaggerating and distorting the sound of the drums, cymbals, and rhythm guitar at key points. Melodies matter very little here and there`s no singing but Tommy McCook in particular blows some nice phrases.
The emphasis of course is on rhythm. But these rhythms are something else. Clouds bursting, thunder, lightning. You got to play this loud, leave the treble right up, and down at leisure.
Reviewed by Carl Gayle Black Music July 1975.
This Album has been Awarded the best Dub Album in England by all the people of Jamaica.
as advertized by Fay Music Inc advert in Black Music.
peace